ARC Review by Jude: Follow Me Into Darkness Anthology by Open Ink Press
Authors: Santino Hassell, J.C. Lillis, J.R. Gray, Kris Ripper, and Roan Parrish
Carnivale is a time for decadence, for revelry, and for mischief. A time when we shed the figurative masks we wear in everyday life in favor of new ones… ones that allow us to be a little bolder, a little more adventurous, and perhaps a little truer to ourselves. Follow Me Into Darkness is a compilation of original tales of queer romance by five of the premier authors of contemporary romance.
Currently on sale for $.099 until 3/4
Open Ink Press / Amazon / books2read
*A copy of this anthology was provided by Open Ink Press in return for an honest review*
Before I delve into the individual stories, I must say I was very impressed by this anthology. Anthologies are not generally my cup of tea, owing to the short nature of the stories. This one intrigued me both because of the theme, but because I am a fan of the authors included. The stories included are unique, hopeful and haunting, and I definitely recommend you grab this one, particularly since it’s currently on sale!
If We Be Friends by J.C. Lillis
Seventeen-year-old Ven should be flying high—he’s playing the title role in a new TV drama about Hamlet’s teen years, and tonight they’re having a Mardi Gras cast party in a possibly-haunted castle. But Ven’s lost all his mirth since his boyfriend suggested they “take a break,” so he plans to skip the bash and brood in his trailer all night. Then the exasperating guy who plays Horatio challenges him to a Shakespearean soliloquy-off, and Ven knows his actorly honor is at stake. He says yes to the duel, trudges off to the party to meet his fate–and finds that more awaits him onstage than a battle of wits and words.
It took me a moment to get into this story — it has an unusual quality to it. I really applaud it though, because once you get into it, you realize that the theatricality reflected in the language works as a layer of character development. That theatricality tells us so much about Ven’s heartbreak, the jadedness he wears to protect and distance himself in that heartbreak, but also, his youth. The soliloquy-off: wow. That was really moving. What followed was sexy and hopeful. I really, really loved the use of “the ghost”; it was an excellent writing device that lesser skilled authors would not be able to pull off.
Masked by J.R. Gray
Blistering heat and half-naked masked men as far as the eye can see, but Heath runs into the one face it’s taken him fifteen years to forget. Javier is plagued with a life of regret, but when a second chance confronts him, can he let go of his hang-ups and seize the moment?
I will admit I struggled with this story. I am not sure how much experience the author has re: Brasil, so I don’t want to assume that what I perceived to be inaccuracies or stereotypes weren’t purposeful. That said: this story also features gay-bashing. It is very graphic and violent. I was a little turned off by all the kissing and rough touching mixed in with conversations about potential punctured lungs, open face wounds that may require stitching, and broken ribs. That may just be squeamishness. This story had potential, but the actual plot needed much more room to be fleshed out in a way that did it justice.
Personal note: perhaps not all Latinx people object, but I am not a fan of being referred to as Latin (rather than Latina or Latinx), as the author does one female character.
The Queen’s Reflection by Kris Ripper
Isah plays the role everyone expects: malleable and cautious, a true queen. But what others see as a queen’s appropriate modesty is really just a disguise for what Isah has never told anyone, the thing no one can ever know.
This body, dressed in the queen’s gowns, is a lie.
Once a year, at carnival, Isah dons someone else’s clothes and becomes them for a night. A young cook in stained whites, or a stableboy in worn breeches. As long as no one gets too close the pretense holds.
Until two strangers look past all the characters and Isah finally exposes the person behind the mask.
This story was incredibly sexy and also very emotional and moving. It took me a moment to get into the world — with a short story it is hard to do a lot of world building — but once I was in, I was in. Ripper does a great job reflecting Isah’s struggles, longing and pain. This story shines all around, but there is one scene in particular, having to do with Isah’s identity and body in an intimate setting, that truly moved me to tears. I don’t want to spoil anything, but I highly encourage y’all to read this one.
Touched by Roan Parrish
Anthology Genre: Contemporary Genre: Fantasy Genre: Historical Genre: Paranormal Identity: Transgender Orientation: Bisexual Orientation: Gay Pairing: M/M Pairing: M/M/F Publisher: Open Ink Press Review Short Story Tag: coming of age Tag: Illness / Injury Tag: Own-Voices Tag: PoC Anthology trigger warnings
Jude Sierra View All →
Jude Sierra is a Latinx poet, author, academic and mother who began her writing career at the age of eight when she immortalized her summer vacation with ten entries in a row that read “pool+tv”. Jude began writing long-form fiction by tackling her first National Novel Writing Month project in 2007.
Jude is currently working toward her PhD in Writing and Rhetoric, looking at the intersections of Queer, Feminist and Pop Culture Studies. She also works as an LGBTQAI+ book reviewer for Queer Books Unbound. Her novels include Hush, What it Takes, and Idlewild, a contemporary queer romance set in Detroit’s renaissance, which was named a Best Book of 2016 by Kirkus Reviews. Her most recent novel A Tiny Piece of Something Greater was released in May of 2018. Shadows you Left, a co-written novel with Taylor Brooke will arrive spring of 2019 from Entangled Press.
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